Bono & The Edge: See Full Trailer for Disney+ Special with David Letterman
Bono & the Edge: A Sort of Homecoming With Dave Letterman is hitting Disney+ on March 17, and the full trailer for the special is finally out.
The full trailer expands on the initial teaser trailer first released in January. In the new trailer, the absence of bassist Adam Clayton and drummer Larry Mullen Jr. is explained. Bono says, “While Larry was injured and Adam was off making an art film, Edge and I asked David Letterman to Dublin to talk about our songs.”
The trailer shows Bono, The Edge and Letterman out and about in Dublin. Additionally, the Disney+ special also features the U2 singer and guitarist in an intimate in-the-round setting for a performance.
In a press release statement, Letterman quips, “Recently, I won a radio contest. Winner gets to visit Dublin with Bono and The Edge (radio contest part not true, but I feel like a winner). They showed me around, introduced me to their musician friends, and performed some of their greatest songs in a small theater. It’s a great tour. Get in touch with them ā I’m told there are still availabilities. I’m the luckiest man on the planet. (There are no availabilities).”
“We wanted to strip away the artifice that inevitably emerges when you’ve been around this long,” says Bono in the trailer. The Edge adds, “We seem to thrive doing something that’s never been done before.”
U2: Their 50 Best Songs, Ranked
U2 has been one of the biggest bands of the past 50 years and for good reason: Their catalog is a prime example of a band evolving and growing up before the eyes of the world.
So far, U2 has released 14 studio albums. Their catalog also features live releases, box sets, compilations and more. In total, they have sold over 175 million records worldwide.
The legend of U2 had humble beginnings. Its four members — Bono, The Edge, Adam Clayton and Larry Mullen Jr. — were all students at Mount Temple Comprehensive School in Dublin.
One day in 1976, Mullen Jr. put a flyer on the school’s bulletin board searching for musicians to start a band. He was only 14 at the time. Among the people who responded were Bono (16), The Edge (15) and Clayton (16). The band’s first practice was on September 25, 1976 in the kitchen of Mullen Jr.’s childhood home.
RELATED: The Edge: 'Of Course Bono Gets Too Much For Me Sometimes!'
Who would’ve thought all of this success started with a just simple post on a bulletin board and a practice in a kitchen?!
U2’s list of accolades is nothing short of insane. They’ve won 22 Grammy Awards out of 46 nominations. In 2005, they were inducted into the Rock & Roll Hall of Fame. The band received the Kennedy Center Honors in 2022.
In addition to those awards, they’ve been a massive tour draw. Per Pollstar, U2 has sold over 26 million tickets since 1980. Their tours have grossed a staggering $2.12 million. The only other act to make more money on the road is the Rolling Stones with $2.16 million.
With all of this mind, we thought we’d take on the daunting task of ranking U2’s best song. Scroll through the list below to see which songs from their vast catalog we think are their 50 best!
A standout on U2ās 11th studio album, āCity of Blinding Lightsā won the Grammy for Best Rock Song in 2006 and was used by President Barack Obama during campaign events during the 2008 and 2012 U.S. Presidential elections. U2 would perform the song during President Obamaās inaugural concert at the Lincoln memorial in 2009.
U2 was gradually evolving their sound on their third studio album, āWar,ā but their punk influences were still evident, especially on āTwo Hearts Beat As One.ā The track was the bandās second single off the album released between āNew Yearās Dayā and āSunday Bloody Sunday.ā
Bono wrote āStuck in a Moment You Canāt Get Out Ofā as a tribute to INXS singer Michael Hutchence, who died by suicide in 1997. In a 2005 interview with āRolling Stone,ā Bono said of his relationship with Hutchence, āI felt I had let Michael down because I was lost to my own busyness and hadnāt called as much as I would have liked...He would confide in me and I in him. We were really great friends. In Cannes weād go out and we wouldnāt come home, weād just sleep on the beach, having a laugh.ā
A touching song about finding joy in love despite being surrounded by obstacles, āLove Is Bigger Than Anything In Its Wayā is a nice reminder that U2 still remain conscious of matters of the heart even on their 14th studio album.
Bono is well aware of the criticisms against him, and he seemed to lean into those criticisms on the lyrics of āAll Because of Youā namely in the second verse with, āI like the sound of my own voice/I didn't give anyone else a choice.ā Perhaps he didnāt, but heās at least self-aware enough to admit to it.
You wouldnāt think a song about Bonoās mom dying when he was 14 could be this danceable, but U2 made it happen on āMofoā with one hell of a synth track alongside Larry Mullen Jrās drums.
The second single from āNo Line On the Horizon,ā āMagnificentā shouldāve been the lead single instead of āGet On Your Boots,ā which most agree is one of the worst singles U2 has ever released. āMagnificentā is a far better representation of U2ās 12th studio album. Fun fact: Itās working title was āFrench Disco,ā which really is an accurate description of its sound.
If you want to get technical, āMiss Sarajevoā isnāt a U2 song; itās a song from Passengers, a group made up of U2 and Brian Eno, but itās too stunning not to include. The song was inspired by a beauty pageant held in Sarajevo during the Bosninan War in the 1990s. Famed opera singer Luciano Pavarotti sang on the track, which was performed live for the first time at the āPavarotti and Friendsā concert in 1995.
Inspired by Psalm 40 in the Bible, ā40ā remains one of U2ās most memorable live songs in their entire catalog. The song was famously used to close out the bandās set and saw each member of the band exit the stand one-by-one all while fans continued to sing on repeat, āHow long to sing this song?ā One word: Chills!
How much of a creative roll were U2 on in the early ā90s? Even their b-sides were incredible! āSalomeā is a great example of this. (Spoiler: Another b-side circa āAchtung Babyā shows up later.) An unbelievably catchy pop-rock tune, āRolling Stoneā wrote in a list titled ā20 Insanely Great U2 Songs Only Hardcore Fans Knowā that Robert Plant once said āSalomeā was his favorite U2 song. If Plant digs it, thereās a good chance you will, too.
U2 joined forces with Green Day to cover this Skids tune in the aftermath of Hurricane Katrina. It was a perfect marriage of two bands with punk roots and remains one of U2ās standout tracks of the aughts. They would perform the song together before the first home game the New Orleans Saints played in the Superdome following the devastating hurricane. If you feel like giving yourself goosebumps, track down the performance on YouTube.
Released as a single from U2ās second greatest hits compilation, āElectrical Stormā is a tale of a couple at odds and the hope their rift will soon pass (āIf the sky can crack there must be some way back/For love and only love.ā) The song was accompanied by a stunning music video directed by frequent U2 collaborator Anton Corbijn and stars actress Samantha Morton and drummer Larry Mullen Jr. as the songās subjects. The video is one of the bandās most sensual and is a nice reminder that Larry is quite hot. Seriously, watch the video with a cigarette. Youāll thank me later.
āPopā saw U2 fall further down the rabbit hole of electronic music, but some of the best songs on the album are where the band find balance between electronic and pop/rock genres. āStaring at the Sunā is a great example of this, and it still remains one of the most underrated singles the band has ever released.
A tribute to Aung San Suu Kyi, who was integral to bringing democracy to Myanmar and is currently the State Counsellor of the country, āWalk Onā took on new meaning following the September 11th attacks in the United States and became a poignant anthem for a country reeling from an unprecedented act of terrorism.
If anyone questioned whether U2 could still write a banger that could move stadiums after being a band for four decades, āThe Blackoutā put those doubts to rest. In a liner notes video for āSongs of Experience,ā Bono says of the song, āItās a letter to the moment weāre in, where personal and political apocalypse combine. Not just the rock behemoths slaughtered by time but the dinosaur of democracy facing extinction...I donāt think itās far fetched. Democracy, after all, is a mere blip in history. Itās an aspiration seized by bloody revolutions. Itās a bloody messy business.ā
In theory, Johnny Cash singing over an electronic beat shouldnāt work, but on āThe Wandererā it just does. Closing out āZooropa,ā The Man in Blackās voice is the perfect tone to tell a story about someone walking around a post-apocalyptic landscape. Bono provides some beautiful harmonizing toward the end of the tune, but a tale this grave needs to be sung by someone that has lived through some stuff. Cash was 61 at the time of this recording, and he just had far more gravitas than a then 33-year-old Bono, which is probably why the U2 vocalist wrote the lyrics with Cash in mind.
Originally a b-side for āWhere The Streets Have No Name,ā āThe Sweetest Thingā was re-recorded for U2ās first greatest hits compilation and released as a single. Bono wrote it for his wife, Ali, after he missed her birthday due to being at the studio recording āThe Joshua Tree.ā The songās music video features Bono and Ali going on a carriage ride while Bono elaborately apologizes to his wife via a marching band, a step-dancing troupe, gyrating firefighters and much more. Honestly, the whole ordeal is the sweetest thing.
One of U2ās most popular b-sides, itās kind of remarkable āLady With The Spinning Headā was somehow left off āAchtung Babyā or wasnāt saved to be included on āZooropa.ā The song was an early track in the making of āAchtung Babyā and would go on to influence a number of songs on the album, most notably āThe Fly.ā It should be noted āLady With The Spinning Headā features one of Edgeās coolest solos and hookiest hooks ever with that chorus. Just one listen, and itāll likely get stuck in your head for a few hours at the minimum.
While āDirty Dayā isnāt about Bonoās relationship with his father, the song certainly was influenced by the man. Bono said in the 2006 book āU2 by U2,ā āāDirty Dayā is a father and son song. āItās a dirty day,ā was an expression my dad would use and there is a lot of him in there but it was also influenced by Charles Bukowski, the great American writer and drinker...The song is about a character who has walked out on his family and, years later, meets the son heās abandoned. So itās not about my father but I used some of my dadās attitude.ā One listen to āDirty Day,ā and youāll be thankful for the attitude of Bob Hewson.
āI was there when they crucified my Lord/I held the scabbard when the soldier drew his sword/I threw the dice when they pierced his side/But I've seen love conquer the great divide.ā Religion is a common theme in the U2 catalog, and it is ever present on this gem, which features the late, great B.B. King and was recorded in the legendary Sun Studio in Memphis.
Itās impossible to talk about āThe Flyā and not bring up Bonoās quote referring to the song as āthe sound of four men chopping down āThe Joshua Treeā." Truth be told, he wasnāt wrong. Released as the first single from āAchtung Baby,ā āThe Flyā was a complete 180 compared to the songs of āThe Joshua Treeā and āRattle and Hum,ā and it set the stage for what was to come from U2 both in the studio and on the road with the Zoo TV Tour.
Bono wrote the lyrics for āOut of Controlā when he was 18 years old reflecting on the two things you have no control over in your life: when you are born and when you die. Heady stuff to think about when youāre still very young, but it offered a look at the subject matter of what would soon come from U2 decades down the line.
āSometimes You Canāt Make It On Your Ownā was written by Bono while his father, Bob Hewson, was dying from cancer. Itās one of the most personal and heartbreaking songs Bono has ever written, which is really saying something, but itās hard to disagree when youāre faced with lyrics like, āYou don't have to put up a fight/You don't have to always be right/Let me take some of the punches/For you tonight.ā
Itās a love song, but it has grit, which makes it right at home on āAchtung Babyā despite it lacking some of the alternative influences found on the rest of the album. Oddly enough, both the band and producer Steve Lillywhite arenāt super-fond of the tune. Good thing that many fans disagree.
Closing out āRattle and Humā (both the album and film), āAll I Want Is Youā is another song whose lyrics were penned by Bono about his wife, Ali. (Swoon, right?!) The song would get a second life when it was included in the 1994 film āReality Bitesā starring Winona Ryder and Ethan Hawke. (Double swoon!)
āBullet the Blue Skyā represents U2 at perhaps their most caustic. The songās lyrics were inspired by a trip Bono and his wife, Ali, took to Central America, where U.S. foreign policy led to mass unrest. The songās lyrics took aim at President Ronald Reagan. (āSuit and tie comes up to me/His face red like a rose on a thorn bush/Like all the colours of a royal flush/And he's peelin' off those dollar bills/Slappin' 'em down/One hundred, two hundred.ā) Since its release, āBullet the Blue Skyā has become a setlist mainstay and one of the highlights of nearly every U2 performance.
Inspired by the U.K.ās National Union of Mineworkers strike in 1984, āRed Hill Mining Townā is a soaring tune that seemed arena-ready upon its release. Oddly enough, the song was never played live until U2 embarked on their 2017 tour celebrating the 30th anniversary of āThe Joshua Tree.ā
āLove Is Blindnessā closes out āAchtung Baby,ā and it does so in remarkably moody fashion. The Edgeās playing on this track is some of his most dark, which makes sense on account of him going through a separation with his first wife. Not saying pain and struggle brings out the best creatively, but, in this case, it definitely didnāt hurt.
While the original version on āAll That You Canāt Leave Behindā is great, the version of āElevationā on the āLara Croft: Tomb Raiderā soundtrack, which features a significantly harder rock edge to it, is the superior cut. Speaking of āedge,ā The Edge is basically the star of the songās music video which finds the guitarist captured by āEvil U2ā and is superimposed into the āTomb Raiderā film sharing many scenes with Angelina Jolie. Yes, U2 is a serious band, but they can also be seriously funny, too.
Letās just be blunt: āUntil the End of the Worldā is the coolest song about Judas singing to Jesus ever. Sure, it might be the only song about Judas singing to Jesus, but you really donāt need any others when you have āUntil the End of the World.ā Edgeās bouncy, infectious riff takes this song to another level as does the killer rhythm track from Adam Clayton and Larry Mullen Jr.
One of U2ās most achingly beautiful odes to love, āUltra Violet (Light My Way)ā was given a new feminist meaning on the recent āJoshua Treeā tours that honored the albumās 30th anniversary. During the performance of the song, images of iconic women, from historical political figures to entertainers to activists, were shown on the large screen of the bandās stage setup. It provided for a very moving moment to a set that already included U2 performing āThe Joshua Treeā in its entirety.
āPleaseā is a protest song of sorts about religion, and itās one of U2ās most moving tracks in their entire catalog. Bono said in a āRolling Stoneā interview in 2001, āItās essentially about fundamentalism, political or religious. Religious fundamentalism is where you get to shrink God; you remake God in your own image, as opposed to the other way around. It gave me a bit of a fright.ā
The heroin epidemic that hit Dublin in the 1980s had a massive effect on U2, and sadly, it inspired some of their best songs. Among them is āRunning to Stand Still.ā While it wasnāt one of the five songs from āThe Joshua Treeā released as a single, it certainly was strong enough to be one.
Apocalyptic? Yes. Decadent? For sure. āLast Night on Earthā is one of U2ās best straight-forward rock songs in their catalog, and it just doesnāt get enough attention. Go listen to it right now if you havenāt done so in a while. You wonāt regret it.
A dizzying ode to being a rock star, āHold Me, Thrill Me, Kiss Me, Kill Meā was the lead single off of the āBatman Foreverā soundtrack, which also featured Sealās smash single āKiss from a Rose.ā Easily the cheekiest lyrics from U2 (or at least the most in one song), Bono gets bonus points for rhyming ātricksā with ācrucifix.ā What a star!
The fourth single from āAchtung Baby,ā āEven Better Than The Real Thingā might just be U2ās sexiest song ever. Of course, that all depends on what youāre into. (To that end, no judgement. Weāre all Godās children. Itās fine!) Anyway, if you donāt find it to be sexy, it certainly is playful. (āYou're honey child to a swarm of bees/Gonna blow right through ya like a breeze.ā) U2 as a playful band was certainly a new concept, and it was certainly a welcome one.
One of the songs U2 recorded at Sun Studio for āRattle and Hum,ā āAngel of Harlemā paid tribute to Billie Holiday, which could be why Bono really delivered on the vocals. Itās one of his strongest, most-memorable vocal performances in the U2 catalog. Just try and not feel a tingle up and down your spine when he belts, āShe says it's heart, heart and soul/Yeah yeah!ā
āMysterious Waysā is U2 at their most exotic and spiritual, while also being romantically evocative. (āTo touch is to heal, to hurt is to steal/If you want to kiss the sky, better learn how to kneel/On your knees, boy!ā) The fact that it has the hallmarks of a āBandstandā hit (i.e. it has a good beat and you can dance to it) doesnāt hurt matters either.
Bono references his mother, whom he lost when he was only 14, on a number of U2 songs, but āI Will Followā is the best. Bono said of the song in a 1987 interview with āRolling Stone,ā āItās a little sketch about that unconditional love a mother has for a child: āIf you walk away, walk away I will follow,ā and āI was on the outside when you said you needed me/I was looking at myself I was blind I could not see.ā Itās a really chronic lyric.ā
āUnder a blood red sky/A crowd has gathered in black and white/Arms entwined, the chosen few/The newspaper says, says/Say it's true, it's true.../And we can break through/Though torn in two/We can be one.ā āNew Yearās Dayā set the tone as the lead single off of U2ās third studio album āWar.ā Really, one could say it set the tone for the rest of the bandās output of the 1980s. With āNew Yearās Day,ā U2 started to break through internationally, and in a few short years, theyād become the biggest band in the world.
While it was featured on āZooropa,ā āStay (Faraway, So Close!)ā was also written for the Wim Wenders film Faraway, So Close! Upon its release, it became one of U2ās most lush ballads in their catalog, and it remains that way nearly three decades after itās release.
Paging Bo Diddleyā¦āDesireā was the lead single off of āRattle and Hum,ā and it brings an incredible jolt of energy with every listen. The song would net U2 a Grammy for Best Rock Performance by a Duo or Group with Vocal in 1988.
āWith or Without Youā was the lead single off of āThe Joshua Tree,ā and it set the table for the moment U2 was about to have with their fifth studio album. It became the bandās first single to top the Billboard Hot 100 chart and remains one of the most enduring love songs of all time.
Imagine losing nearly everything but youāre still able to take stock in what you have left. Itās an overwhelming concept, for sure, but leave it to U2 to approach an idea like that and turn it into a massive, arena-rocking hit. āBeautiful Dayā netted the band Grammy Awards for Song of the Year, Record of the Year and Best Rock Performance by a Duo or Group with Vocal in 2001. More importantly, āBeautiful Dayā served as a sort of reset for the band as they entered the new millennium following their electronic-influenced ā90s decade. They were back to basics, in a way, but they were still U2.
The second single from āThe Joshua Tree,ā āI Still Havenāt found What Iām Looking Forā blends elements of pop, rock and gospel that are beyond uplifting. For an album that reflected U2ās journey into America, āI Still Havenāt Found What Iām Looking Forā is perhaps the most-uniquely American song on the album.
A moving tribute to Martin Luther King Jr., āPride (In The Name of Love)ā became U2ās first song to crack the top 40 on the Billboard Hot 100 peaking at number 33. āPride (In The Name of Love)ā has the distinct honor of being the song U2 has performed the most live. (A whopping 1,022 times, according to Setlist.fm.)
While the studio version off āThe Unforgettable Fireā is incredible, the live version of āBadā from U2ās breakout performance at Live Aid in Wembley Stadium is simply iconic. The performance not only established U2 as one of the best live acts in music, but it showed off the bandās unique ability to turn a massive venue into an intimate setting. While Bono lept from the Live Aid stage and slow danced with just one very lucky concertgoer, it somehow felt like he was holding all of us. The songās themes touch on the horrendous battles of heroin addiction which grew to epidemic proportions in Dublin in the 1980s. Sadly, itās lyrics (āIf I could, yes I would/If I could, I would/Let it goā) still resonate today.
With a drum intro you can feel in your gut, āSunday Bloody Sundayā was U2ās breakthrough hit in the United States. Inspired by the 1972 Bloody Sunday massacre in Northern Ireland, āSunday Bloody Sundayā remains not just one of U2ās best songs but one of the finest protest songs in music history. Its conscience still resonates live decades after its release.
Some may view āOneā not topping this list as a controversial choice considering its lore. U2 famously wrote āOneā when they were on the brink of breaking up. Following the crazy success of āThe Joshua Tree,ā U2 convened to record what would become āAchtung Baby,ā and to put it lightly, things were just not working out. And then, they wrote āOne,ā and the rest is history. Itās one of those songs most bands dream of writing, and everyone on the track is truly at their best.
U2 is a band that makes you want more and inspires you to dream bigger. They make you feel like nothing is out of reach, and āWhere the Streets Have No Nameā is the best example of that. What can you say about a song so magical, whose longing is felt for the entirety of its 5:36 runtime, including an intro that just builds and builds only to culminate in Bono exclaiming āI wanna runā? What can you say about The Edgeās undeniable and transcending guitar playing? What can you say about Adam Clayton and Larry Mullen Jr. laying down a rhythm track that you can feel pulse through your body? You can say that all of these pieces add up to the quintessential U2 song. At the end of this list, itās all I can do.