Motley Crue, through all of the obstacles (and there have been plenty), has managed to survive for four decades. It’s an overwhelming thought when you think about it.
Just reading or watching The Dirt gave fans an idea of the absolutely insane things the band has gone through. From drugs to horrific tragedies and everywhere in between, The Crue has seemingly seen or done it all.
The latest chapter in the band involves the exit of Mick Mars. The guitarist retiring from touring with MĂśtley CrĂźe in October 2022 seemed to come out of nowhere. Apparently, the band thought the same.
Nikki Sixx told Guitar World, “We never saw it coming that Mick wasnât going to be able to tour and was going to have to quit the band.”
At the time, MĂśtley CrĂźe was about to hit the road again with Def Leppard following the success of The Stadium Tour. Sixx expressed that after Mars’ retirement, the band didn’t want to let fans, Def Leppard or tour promoter Live Nation down. This then led them to bring in guitarist John 5 to fill in for Mars. Sixx referred to the substitution as “a no-brainer in a horrible situation — something we did not ask for or want.
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Of course, a lot has played out in the press in the aftermath of Mars’ retirement. To begin with, Mars filed a lawsuit against MĂśtley CrĂźe alleging his percentage of band profits was cut from 25 percent to 5 percent.
He claimed in his lawsuit the band held a meeting to “unilaterally” remove him from MĂśtley CrĂźe. He was also allegedly removed from many of the band’s various corporations and LLCs. Additionally, Mars claims bassist Nikki Sixx repeatedly “gaslighted” the guitarist. Sixx told Mars he consistently forgot chords and fans were complaining about his playing. (Mars claimed in the lawsuit Sixx “did not play a single note on bass during the entire U.S. tour” and accused him of using backing tracks and pantomiming.)
While this issue is still ongoing, let us not forget they’ve provided rock fans with quite the catalog of songs, with a number of those tunes now considered rock/metal classics.
From the classics to the deeper cuts, here are the 40 best songs of Motley Crue, ranked.
A new track featured on the Crueâs first greatest hits compilation, âAngelaâ has a unique place in pop culture as Dwight and Angela danced to the song at their wedding in the series finale of âThe Office,â which was a clever use of a Crue tune since the band was Dwightâs go-to for when he needed to get pumped for a sales call or performance review.
Motley Crue is far from being a âpoliticalâ band, but with âFight For Your Rights,â we find the band taking on issues around race and invoking Martin Luther King Jr. The track closes out âTheatre of Pain,â and while it only scratches the surface of race relations, itâs one of those tracks thatâs always a surprise when revisiting the Crue catalog.
One of the rare Crue songs credited to all four members of the band, âBitter Pillâ was a new track that was included on 1998âs âGreatest Hitsâ album. Oddly enough, when this compilation was reissued in 2009, âBitter Pillâ was omitted along with âEnslavedâ (another new track released on the LP) and the remix of âGlitterâ from âGeneration Swine.â In fact, âBitter Pillâ isnât even available on streaming platforms right now, which is a shame because itâs a beyond catchy pop-rock tune.
The Crueâs 2005 compilation album âRed, White & Crueâ saw the band reunite for a second time in their history. (This time around, it was drummer Tommy Lee returning to the fold.) The 38-track set featured some of the Crueâs biggest hits, fan favorites and a few new tracks including âSick Love Song,â which was penned by Nikki Sixx and James Michael who would go on to be the lead singer in Nikkiâs side project aptly named Sixx: AM. Itâs a great example of how even a quarter-century in, the Crue still had *it* and are a prime example of being greater than the sum of its parts.
The John Corabi-era with Motley Crue is a unique time to examine, because when you revisit 1995âs âMotley Crueâ -- the lone album the band released with Corabi as its singer -- itâs a pretty solid rock album. However, it just doesnât *sound* like Motley Crue, so it feels out of place in the bandâs catalog likely due to Nikki, Tommy and Mick playing to Johnâs strengths. âLoveshineâ is the first of four tracks from that LP to appear on this list, and itâs the sound of âLed Zeppelin IIIâ hanging out with The Black Crowes. Great song, but itâs one of the last things youâd expect from Motley Crue.
If you listen to âRattlesnake Shakeâ and think the horn section sounds an awful lot like the one used on Aerosmithâs â(Dude) Looks Like A Lady,â itâs because tenor saxophonist Tom Keenlyside, baritone saxophonist Ian Putz and trumpet player Henry Christian played on both tracks. (Fun fact, right?) Whether or not this was a planned homage to Aerosmith or just a happy accident, âRattlesnake Shakeâ is one fun tune.
âKeep Your Eye On the Moneyâ acts as a pseudo-title track on âTheatre of Pain,â especially on the lyrics, âComedy and tragedy/Entertainment or death/Like sister morphine/Hooked on her game/Time to place your bets,â which make subtle reference to the albumâs cover. Thereâs a unique tension in the song. Clearly, the band knows itâs living life dangerously, but they just canât stop because they have a big payday ahead. Definitely more depth to this song than youâd think.
Another rare topical song that closes out a Crue album, just like the aforementioned âFight For Your Rightsâ! This time around, we find the band looking to the youth to push society forward to a better tomorrow. Itâs almost as if Motley made their own version of âGreatest Love of All,â which shouldnât work but it does. The Crue is joined by a host of background vocalists including all of Skid Row, which, once again, shouldnât work but it does.
Thereâs no denying that when John Corabi was tapped to replace Vince Neil that Motley Crueâs sound drastically changed, but clearly the rise of grunge had an impact, too, as evident on âPower to the Music.â Opening the bandâs self-titled 1994 album, the track is a gritty anthem that doesnât get enough love in the Crueâs catalog.
âTheatre of Painâ was the Crueâs third studio album, and by that time, they were already rock stars, but on âRaise Your Hands To Rock,â they still look back fondly on the days before they were household names and just trying to make it. Simply put, itâs a fun track with a big sing-along chorus, which makes it puzzling as to why they only performed it live once at a December 1982 show in Santa Monica, Calif. according to Setlist.fm.
The glam influence is STRONG on âToast of the Town,â the b-side to the Crueâs very first single âStick to Your Guns,â which was featured on the original 1981 release of âToo Fast For Loveâ but omitted on the 1982 re-release of the album once the band signed to Elektra records. The track would be included on the 2003 reissue of the album, and itâs a good thing it was because it is a ridiculously good time of a tune.
With the premiere of the film adaptation of âThe Dirtâ and the band recording new tunes for the filmâs soundtrack, we shouldâve known Motley Crue was going to renege on their "Cessation of Touring Agreement" they signed before their "Final Tour" in 2014-15. Then again, with âThe Dirt (Est. 1981),â which features Machine Gun Kelly who portrayed Tommy Lee in âThe Dirtâ film, they clearly show they have plenty left in the tank. Hopefully, âThe Stadium Tourâ will *finally* happen in 2022. (Thanks a lot, coronavirus pandemic!)
Once again, the rise of grunge very much had an impact on Motley Crue, who incorporated elements from the genre on their eponymous 1994 album featuring John Corabi on vocals. If you want to get specific, the track seems very influenced by Temple of the Dog, Soundgarden and the whole vibe of Alice In Chainsâ âI Stay Away,â particularly the strings on that track. The moment you realize itâs *really* a Motley Crue song is when Mick Mars launches into a slide guitar solo about four minutes into the 6:36 track. Definitely an underrated song or, perhaps, misunderstood.
The only thing more confusing than Motley Crue without Vince Neil is âGeneration Swine,â Neilâs first album back with the band following his firing back in 1992. Thereâs just *too* much going on with the album as far as musical directions are concerned, but that doesnât mean there werenât bright spots on the LP. The brightest of those spots lies with âAfraid,â the albumâs lead single and a stealthy tender love song Nikki Sixx wrote when he was first seeing his eventual second wife, actress/âPlayboyâ Playmate Donna DâErrico.
âCome On and Danceâ is obviously a filthy song (âWhen she's on top/Well, you can't be stopped/Watch her scream/Watch her suck you cleanâ), but thereâs something very charming about it. Perhaps itâs the minimalist arrangement and production or even the way it feels like Vince Neil is working through his vocal to determine his sound. Either way, itâs a great piece of glam metal.
âModern times and new bloodâs pumping/Only the strong surviveâ were the lyrics that closed out âHooliganâs Holiday,â the lead single from the Crueâs self-titled 1994 studio LP featuring John Corabi on vocals. The obvious style change from the band due to having a new singer and to keep up with current trends was met with a mixed reaction at best, but since the release of âMotley Crueâ strong tracks like âHooliganâs Holidayâ have managed to survive. Sure, the Corabi era will always feel a little strange, but you canât deny quality regardless of whoâs behind the mic.
An underrated ballad with an interesting history, âIf I Die Tomorrowâ features songwriting credits from Nikki Sixx and the band Simple Plan. Bob Rock produced Simple Planâs 2004âs studio album âStill Not Getting AnyâŚ,â and âIf I Die Tomorrowâ was a track left over from the recording sessions. Rock then passed along the tune to the Crue, and after Sixx made some changes, the band recorded the song and was the lead single to their 2005 compilation album âRed, White & Crue.â The band took things one step further in the songâs music video which depicted each Crue member reliving some of the most horrific moments in their lives, from Sixx nearly dying from a heroin overdose to Vince Neilâs drunk driving accident that resulted in the death of Hanoi Rocks drummer Razzle.
âSaints of Los Angelesâ was Motley Crueâs first studio album following their reunion with Tommy Lee in 2004. At this point in their career, the band really had nothing left to prove, but that didnât stop them from putting out one of their strongest singles in years with the title track, which is loosely about when the Crue first signed with Elektra Records in the â80s. (âWe are, we are the saints/We signed our life away.â)
Itâs unknown if there was a particular inspiration behind âStarry Eyes,â but if this Nikki Sixx-penned tune was about a specific woman, clearly Sixx had it *bad* for her. Looking back on Motley Crueâs first album and its raw energy, itâs amazing what the band grew to be and just how much they had *it* from nearly day one.
Judging by title alone, one would be quick to assume âDancing On Glassâ was about strippers which would be a proper fit on âGirls, Girls, Girls.â However, the songâs subject matter is far grizzlier, and its second verse leaves little to the imagination itâs about drugs. (âSilver spoon and needle/Witchy tombstone smile/Iâm not puppet/I engrave my veins with style.â) Even staring down a tough subject, Motley Crue still manages to churn out one hell of a rock song.
Mick Marsâ guitar tracks are just *so* damn good on âWithout You,â a grand power ballad and third single from âDr. Feelgood.â The track was reportedly inspired by Tommy Leeâs relationship with Heather Locklear. While Tommy and Heather didnât stand the test of time, âWithout Youâ still does.
Motley Crue has a handful of covers in their catalog, but their take on Brownsville Stationâs âSmokinâ in the Boys Roomâ is, by far, their best. The cover was their lead single from âTheatre of Painâ and would peak at number 16 on the Billboard Hot 100 Chart.
Remember that thing about Motley Crue having *it* from nearly day one? âPiece of Your Actionâ is another prime example of that. Itâs an undeniably dirty, sexy song. (Tight action, rear traction/So hot, you really blow me away/Fast moving, wet and ready/The time is right, so hang on tight.â) Perhaps most importantly, âPiece of Your Actionâ brilliantly showcases how valuable Mick Mars is to the whole Crue dynamic. Itâs hard to imagine any other guitarist filling that role.
âTheatre of Painâ was a bit of a style departure compared to the Crueâs previous two studio albums, but âTonight (We Need A Lover)â was proof those metal hellions from the Sunset Strip were very much part of the bandâs identity. Tommy Lee providing a killer drum track is far from shocking, but the drums on âTonight (We Need A Lover)â manage to reverberate in your gut.
The melodrama of âOn With The Showâ is equal parts Meat Loaf and Bruce Springsteen. Itâs truly a wild Crue track that doesnât get enough attention. âOn With The Showâ is a semi-autobiographical tale about Nikki Sixx (born Frank Feranna Jr.) and how he changed his name to distance himself from his absent father. (âFrankie died just the other night/Some say it was suicide/But we know/How the story goes.) Once again, so melodramatic!
Honestly, itâs the sexiest song about a quickie ever. Name me another song about a quickie thatâs better. Iâll wait...
Along with Def Leppardâs âPour Some Sugar On Me,â Motley Crueâs âGirls, Girls, Girlsâ probably helped its fair share of strippers pay their way through college. In fact, the song name-checks seven different strip joints, and over three decades later, three of those clubs are still open: Tattletale Lounge in Atlanta; The Body Shop in West Hollywood, Calif.; and the Seventh Veil on Sunset Blvd. in Los Angeles where the band filmed the raunchy songâs music video.
Motley Crue is responsible for some of the greatest arena rock tunes ever, but few of their songs feel as tailor-made for arenas as âSame Olâ Situation (S.O.S.)â Of course, the song is the age-old story of boy meets girl, boy meets girlâs friend, the two women realize they love each other and then run away together. Itâs all very âTale as old as time.â
The second single from âShout At The Devil,â âToo Young to Fall in Loveâ boasts one of the Crueâs hookiest chorus and campiest music videos ever. The whole plot is a mystery beyond words, so just go and watch it...after you finish this list, of course. A tip of the hat to Tommy Lee for providing a rhythm track that is minimalist but meaty AF.
Hmmm...the early days often found the Crue too (insert adjective here) for love, it seems. Regardless of the descriptor, it certainly made for fun songwriting as evident with âToo Fast For Love,â another raw tune from Motley Crueâs debut that really showed the bandâs punk influences. Plus, the way Vince Neil sings the âOh no, oh no!â intro remains some of the most iconic notes heâs ever sung.
Simply stated: âPublic Enemy #1â is a glammy, pop-punk delight! The track was co-written by Nikki Sixx and Lizzie Grey, who was Sixxâs former bandmate in London, the band Sixx co-founded before forming Motley Crue.
âLive Wireâ is the first track on âToo Fast For Love,â and from the moment you hear Mick Marsâ chugging opening riff, you know Motley Crue is not a band to be messed with. Itâs the type of song that can only bit written by someone whoâs young and hungry. You just canât get away with writing lyrics like, âBecause I'm hot, young, running free/A little bit better than I used to be,â when youâre three albums into your career.
As Motley Crue looked back on ten wild years on their first greatest hits album âDecade of Decadence,â they did so with a new track in âPrimal Scream,â and itâs an absolute monster that packs as much attitude as anything they dropped in the previous decade. Of course, âPrimal Screamâ was one of the final singles released during Vince Neilâs first tenure fronting the band. Itâs one of the finest examples of each member of the Crue operating on all cylinders.
Itâs the title track to Motley Crueâs most commercially successful album, and itâs the bandâs most successful single in their catalog peaking at number six on the Billboard Hot 100 chart. While the song explores the life of a drug dealer wasnât necessarily a new theme for the band, âDr. Feelgoodâ had a polish unlike any other Crue single until then. Thatâs a touch likely due to producer Bob Rock and the fact the band was sober during the making of the album.
âShout At The Devilâ wasnât released as a single, but when you write a hook as catchy as, âShout, shout, shout/Shout at the devil,â the people will undoubtedly find it and help make it an anthem. Fun fact: Itâs the song Motley Crue has played the most live in their bandâs history, according to Setlist.fm.
The fourth single from âDr. Feelgood,â âDonât Go Away Mad (Just Go Away)â finds Motley Crue embracing pop elements in expert fashion without losing a touch of their metal edge. Plus, its title alone is one of the best kiss-offs in music. Who hasnât gone through a breakup that ended with this type of vibe?
Motley Crue grew significantly from their debut to their second studio album âShout At The Devil,â and out the gate, they werenât messing around as evident on the lead single âLooks That Kill.â Itâs one of the Crueâs signature tunes for a reason.
âKneel down you sinners to streetwise religion/Greedâs been crowned the new king.â That opening lyric is both super-â80s and, yet, somehow timeless, much like Motley Crue themselves. The dark lyrical content of âWild Sideâ is a total juxtaposition of its music, which is one of the most upbeat tempos and melodies the band ever wrote. The whole song is as dizzying and brilliant as Tommy Leeâs spinning drum rig thatâs featured in the songâs music video.
In the realm of power ballads, âHome Sweet Homeâ is among the most quintessential if not *the* most quintessential. Even when listening to it in your car, youâre almost tempted to lift up your lighter or phone and just sway. Tommy Leeâs piano intro is instantly recognizable, and his little drum fill at the end of the track is the perfect cherry atop one epic tune. Add Mick Marsâ guitar solo and the way Vince Neil wails âTonight, tonight!â during the chorus, itâs no wonder this tune penned by Nikki Sixx and Lee is one of the Crueâs best.
Picking the best Motley Crue song is a tough challenge, because a number of songs in their catalog could be argued as their âbest.â Why does âKickstart My Heartâ come out on top of our list? Because not only is it an incredible rock song, but it represents the essence of the Crue better than any other song in their catalog. When youâre a band whose debauchery is beyond legendary, picking the song that was inspired by Nikki Sixx being brought back to life following an overdose just makes sense. And, once again, itâs an incredible rock song that decades later is still a mainstay on active rock and now classic rock radio. Itâs a song that just refuses to die, sort of like Nikki Sixx.